.
Portrait of a boy from Fayum, panel painting (encaustic on wood), second half of 2nd century: image by Ejdzej, 2002 (National Museum, Warsaw)
I've been smoking steadily all morning
if I stop the roses will embrace me
they'll choke me with thorns and fallen petals
they grow crookedly, each with the same rose colour
they gaze, expecting to see someone go by; no one goes by.
Behind the smoke of my pipe I watch them
scentless on their weary stems.
In the other life a woman said to me: 'You can touch this hand,
and this rose is yours, it's yours, you can take it
now or later, whenever you like'.
I go down the steps smoking still,
and the roses follow me down excited
and in their manner there's something of that voice
at the root of a cry, there where one starts shouting
'mother' or 'help'
or the small white cries of love.
It's a small white garden full of roses
a few square yards descending with me
as I go down the steps, without the sky;
and her aunt would say to her: 'Antigone, you forgot your lessons today,
at your age I never wore corsets, not in my time.'
Her aunt was a pitiful creature: veins in relief,
wrinkles all round her ears, a nose ready to die;
but her words were always full of prudence.
One day I saw her touching Antigone's breast
like a small child stealing an apple.
Is it possible that I'll meet the old woman now as I go down?
She said to me as I left: 'Who knows when we''ll meet again?'
And then I read of her death in the newspapers
of Antigone's marriage and the marriage of Antigone's daughter
without the steps coming to an end or my tobacco
which leaves on my lips the taste of a haunted ship
with a mermaid crucified to the wheel while she was still beautiful.
................................................................ Koritsa, summer '37
if I stop the roses will embrace me
they'll choke me with thorns and fallen petals
they grow crookedly, each with the same rose colour
they gaze, expecting to see someone go by; no one goes by.
Behind the smoke of my pipe I watch them
scentless on their weary stems.
In the other life a woman said to me: 'You can touch this hand,
and this rose is yours, it's yours, you can take it
now or later, whenever you like'.
I go down the steps smoking still,
and the roses follow me down excited
and in their manner there's something of that voice
at the root of a cry, there where one starts shouting
'mother' or 'help'
or the small white cries of love.
It's a small white garden full of roses
a few square yards descending with me
as I go down the steps, without the sky;
and her aunt would say to her: 'Antigone, you forgot your lessons today,
at your age I never wore corsets, not in my time.'
Her aunt was a pitiful creature: veins in relief,
wrinkles all round her ears, a nose ready to die;
but her words were always full of prudence.
One day I saw her touching Antigone's breast
like a small child stealing an apple.
Is it possible that I'll meet the old woman now as I go down?
She said to me as I left: 'Who knows when we''ll meet again?'
And then I read of her death in the newspapers
of Antigone's marriage and the marriage of Antigone's daughter
without the steps coming to an end or my tobacco
which leaves on my lips the taste of a haunted ship
with a mermaid crucified to the wheel while she was still beautiful.
..............................
Woman decking a gravestone with garlands: Attic white-ground lekythos, by Reed Painter, said to be from Athens, between 420 and 410 BC: image by Marie-Lan Nguyen, 2006 (British Museum)
George Seferis (1900-1971): Mathios Paskalis Among the Roses, from Logbook I, 1940, in George Seferis: Collected Poems (Revised edition), translated by Edmund Keeley and Philip Sherrard, 1991
