Monday, December 27, 2010

Carl Spitzweg: Back to Books


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Reading the Breviary, Evening
, c. 1839 (Musée du Louvre, Paris)




Dear Margie, hello It is 5.15 a.m.
dear Berrigan He died
Back to books.

Ted Berrigan, Sonnet II (excerpt), from The Sonnets, 1964

O bliss of the collector, bliss of the man of leisure! Of no one has less been expected, and no one has had a greater sense of well-being than the man who has been able to carry on his disreputable existence in the mask of Spitzweg's "Bookworm." For inside him there are spirits, or at least little genii, which have seen to it that for a collector - and I mean a real collector, a collector as he ought to be - ownership is the most intimate relationship that one can have to objects. Not that they come alive in him; it is he who lives in them. So I have erected one of his dwellings, with books as the building stones, before you, and now he is going to disappear inside, as is only fitting.

Walter Benjamin: from Unpacking My Library: A Talk about Book Collecting, 1931

Even the dream of a "better humanity" in which our children would "have a better life" is only a sentimental fantasy reminiscent of Spitzweg when it is not, at bottom, a dream of a better nature in which they would live.

Walter Benjamin: from Das Passagen-Werk, 1982




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The Bookworm, c. 1850 (Sammlung Georg Schäfer, Schweinfurt)


The Poor Poet, 1839 (Staatliche Museum, Berlin)

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The Forbidden Path, c. 1840 (Sammlung Georg Schäfer, Schweinfurt)

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The Bachelor, n.d. (Museum der Bildenden Künste, Leipzig)

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The Cactus Lover, c. 1850 (Sammlung Georg Schäfer, Schweinfurt)


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A Visit, c. 1850 (Sammlung Georg Schäfer, Schweinfurt)


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A Visit (detail), c. 1850 (Sammlung Georg Schäfer, Schweinfurt)


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A Visit (detail), c. 1850 (Sammlung Georg Schäfer, Schweinfurt)

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The Raven, c. 1840 (Baxerische Staatsgemäldesammlung, Munich)

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The Raven (detail), c. 1840 (Baxerische Staatsgemäldesammlung, Munich)

This post dedicated to Ron Padgett

Paintings by Carl Spitzweg, 1808-1885